Sabtu, 30 Juli 2011

[M186.Ebook] Get Free Ebook Pipe Chronicles: An adventure about Sex, Drugs, and Addiction, by Kimeo Carr

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Pipe Chronicles: An adventure about Sex, Drugs, and Addiction, by Kimeo Carr

Pipe Chronicles: An adventure about Sex, Drugs, and Addiction, by Kimeo Carr



Pipe Chronicles: An adventure about Sex, Drugs, and Addiction, by Kimeo Carr

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Pipe Chronicles: An adventure about Sex, Drugs, and Addiction, by Kimeo Carr

“Strange bedfellows doth Tina make”. 10-08-08 R. Atremo

All Rick ever wanted was to be loved; at least that is what he believed; taking drugs, finding that altered state during love making can be an uplifting experience if not euphoric.

Achieving this feeling depends on the individual, unlike Timothy Leary’s tune in, tune out, this euphoric state can take on a different mindset leaving you gutted and soulless.

All Rick ever wanted was to be loved, to have the opportunity to embrace a passionate soul that seemed to match his own. The impulse to have sex, sex, and more sex became a compelling force; fortunately for Rick this was not a problem because his natural propensity was to have sex, and lots of it. Throughout his life, he’d felt that God left the switch on. He wasn’t blaming God. Even in the midst of all this debauchery, hedonism, and sex, God is still present. Rick believed that sex is a gift from God and how we choose to use it is up to us. Free will!

  • Sales Rank: #338022 in eBooks
  • Published on: 2015-08-26
  • Released on: 2015-08-26
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Diary of a Hedonist
By Margaret McCormack
FOR people who know nothing about the "scene", it is a real eye-opener. But there was a "Slouching toward Bethlehem" feel about it. The overwhelming sense of a dissolute, self-indulgent life, wrapped in chemicals was depressing toward the end of the book.Since my own world and the work that I do has introduced me to many meth addicts, without teeth, brains like scrabled eggs, skinny and disheveled, it was hard to imagine so much consumption.
There were entirely too many grammatical errors toward the end also, as though the editing process bogged down. Their for they're, incorrect grammatical construction, etc
One thing that ran through my mind as I read. I am sure there are many guys out there who are terrified that their lives are the only lives in the world that are experiencing the same unabashed hedonism. For them, getting the Chronicles might be a way of telling them they are not alone.
Don't expect a story. It is what it says it is -- a chronicle. I had hoped for something with a little more redeeming messages, but perhaps that will be in the next book.

0 of 0 people found the following review helpful.
A fictionalized account of a trek through the Party and ...
By Mike C
A fictionalized account of a trek through the Party and Play scene. Interesting but no real plot, just an account of one episode after another

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Rabu, 27 Juli 2011

[O946.Ebook] Ebook Mathematical theory of music, by JEDRZEJEWSKI Franck

Ebook Mathematical theory of music, by JEDRZEJEWSKI Franck

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Mathematical theory of music, by JEDRZEJEWSKI Franck

Collection : Musique/Sciences Format : 18 x 26 cm Pagination : 352 Material : Book Language : English Date of publication : 2006 Code EAN : 9782752100238 Category : Science of music

  • Sales Rank: #2862694 in Books
  • Brand: Delatour France
  • Published on: 2006
  • Original language: French
  • Binding: Paperback
  • 352 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
not a bad book
By MikeA
If you like advanced mathematics and music theory, this is a pretty good book. It is a collection of topics of current applications of mathematics and music theory. The organization of the topics seems a little disjointed, there are some typos and a few poorly worded sentences (presumably because English is not the author's native language), but altogether, not a bad effort in what must be the first compilation of such topics. I felt that in some chapters, I was missing the punchline; the mathematics was there, but I failed to see the relevance and wanted more examples of the interplay between the math and the music. There are plenty of these types of examples in general, but only in certain sections; other sections are very sparse. I particularly enjoyed the chapter on knots and braids; it seemed well-written.

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Selasa, 26 Juli 2011

[Y811.Ebook] Download PDF The Cosmic Tribe Tarot, by Eric Ganther

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The Cosmic Tribe Tarot, by Eric Ganther

• The first tarot deck for the neotribal technopagan from an avant-garde computer revolutionary

• The most revolutionary tarot deck to appear since Aleister Crowley's Thoth Tarot

• Synthesizes classic archetypal imagery with state-of-the-art electronic wizardry to create a deck that maps the modern psyche like never before

The Cosmic Tribe Tarot is the most revolutionary tarot deck to appear since Aleister Crowley's Thoth Tarot. Synthesizing classic archetypal imagery with state-of-the-art electronic wizardry, Stevee Postman has created a deck that maps the modern psyche like no other before. Drawing equally from nature, myth, psychedelics, and contemporary neopagan culture, The Cosmic Tribe Tarot speaks to the fears, hopes, and desires of a new generation. Without abandoning the traditional structure that has made the tarot a successful divination tool for centuries, Postman charges his deck with an erotic, mystical energy, showing that the modern tribal movement is at heart a spiritual one. Never before has a tarot so boldly reconnected the contemporary soul to the eternal cosmos.

  • Sales Rank: #966638 in Books
  • Brand: Unknown
  • Published on: 1998-09-01
  • Released on: 1998-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.60" w x 6.00" l, 1.55 pounds
  • Binding: Cards
  • 208 pages
Features
  • 1st Edition, 1st Printing
  • Includes Case

Review
"This is an unusual and provocative deck. The images are striking and evoke a fantastic view." (Pangaia, Autumn 2000)

"It is a riotously colorful, magical, and psychedelic deck." (Tarot Newsletter, Summer 1999)

"The images are amazing. I recommend this deck for anyone who is looking for a modern, multicultural deck, one that glorifies the human body in all of its forms." (Michele Jackson, www.ArtofTarot.com)

"The whole book has a relaxed and creative feel. The vividness and energy of the cards will certainly inspire you to try it in readings." (Lee Bursten, www.ArtofTarot.com)

"Stevee's art has the convincing feel of having been created by one who has been to the other side and can harness the most sophisticated technology to articulate the patterns of infinity and archetypal powers which are the fabric of our divine imagination. His tarot deck should become an instant classic." (Alex Grey, author of Sacred Mirrors)

"The Cosmic Tribe Tarot is a deck for the twenty-first century, full of imagery that is beautiful, provocative, and stimulating. This deck will make you reconceive everything you thought you knew about tarot." (Starhawk, author of Spiral Dance and Dreaming the Dark)

"The Cosmic Tribe Tarot has a decidedly lusty lean to it. Includes three variations on The Lovers, so that the querant may select the depiction of his/her own personal preference.  This deck is a fairyland frolic through the landscape of the soul. As a tool for divination these cards provide endless possibilities for the intuitive reader to draw upon but for those who would like help, there is an illustrated guidebook complete with each divinatory meaning. With these cards he has taken a solemn and timeless tradition and imbued it with an irreverent dash of counter-culture spice. Postman's images stand unparalleled in their ability to tease the imagination and cast a glamour of enchantment for the reader." (MAPS, 2000)

"You must see The Cosmic Tribe Tarot. Every card bursts with hallucinatory power and beauty. Stevee Postman has created a deck for our time and for the ages: sensual and often humorous, yes--but also deeply potent and magical." (Brian Williams, author of The Renaissance Tarot, The PoMo Tarot, and The Light and Shadow Tarot)

"What a beautiful deck! The Cosmic Tribe Tarot has vitality, energy, hope, and pure joy." (Illuminationstarot.com)

About the Author
Stevee Postman's visionary work has developed a cult following in the tarot community. He has worked as a digital artist for over 15 years, and his images have graced the covers of Gnosis, Magical Blend, RFD, and other magazines. Eric Ganther is a writer and pagan ritual maker. They live in San Francisco.

Most helpful customer reviews

26 of 27 people found the following review helpful.
This has become my favorite deck.
By P. Church
I enjoy collecting Tarot decks and happened on this by accident. . .I'd surfed onto a wicca web page and it was the featured deck of the week or something. I bought it with no great expectation--I just thought the "Techno Pagan" theme was different than any of the themes in my collection. My first impression of the Cosmic Tribe was that the colors are extremely vibrant and beautiful, and that the art is simply phenomenal and unique. Very psychedelic. My reaction to the nudity and the use of photographs of real people was mixed. I don't mind the nudity, but at first the use of real people as opposed to drawn or painted people sort put me off. Initially this technique seemed to make the images less archtypal and more personal. Ultimately though, it's this very personalization of the deck that lends it much of its charm and power. Postman's selection of models are so apt for each particular card that they bring to life the meaning and personality of the cards in a way I've not experienced with any other decks. I'm a typical media influenced American male with certain preconceived notions of physical beauty, but despite this, Postmans choice of setting, use of light and color and choice of models makes the whole gamut of body shapes beautiful--I don't think I've ever so appreciated the nude human form. The inclusion of three Lover's cards--gay,lesbian, and hetero is a big plus. Judging on aesthetics alone, this deck is a must have--it must be seen to be appreciated. It is so beautiful you can be lost in it for hours. Above and beyond the superficial though, this deck's symbolism is so apt, so meaningful, so instantly intuitive that it has become my favorite for actual use in readings. It is very similar to Crowley's Thoth deck, but with more relevant and modern symbolism. Postman's deck is both deep AND easy to use. My only criticism is that the accompanying book is some what of the fluffy new-age self help feel good type, as opposed to Crowley's more scholarly "Book of Thoth". However, as far as fluffy new-age tarot books go, its actually pretty good, and anyway, there is nothing wrong with the occasionally fluffy sap in one's life. In the books favor, it does offer some interesting ideas for readings and meditations. All in all, this is a must have deck.

0 of 0 people found the following review helpful.
Exactly what we were looking for!
By Robert Zaugg
Wife has had this deck for years, but over time, many cards have gone missing. This deck rebuilt her set from scratch and she's looking forward to working with it again :)

7 of 7 people found the following review helpful.
Beautiful and Meaningful
By W. Reid
My fear was that this would be a "politically correct" gimmick deck.

My criteria for a deck are beauty and authenticity. Some authentic decks, like "Tarot of Ceremonial Magick", are so lacking in aesthetic charm that they are, for me, unuseable.

This deck is really beautiful, true to the meaning of the cards, and very useable. They continue the tarot tradition authentically, without imitating other decks. It's truly a joy to have this deck--and I am a tarot lover and collector.

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[W237.Ebook] Get Free Ebook Francis Picabia: Our Heads Are Round so Our Thoughts Can Change DirectionFrancis Picabia

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Francis Picabia: Our Heads Are Round so Our Thoughts Can Change DirectionFrancis Picabia

Francis Picabia: Our Heads Are Round so Our Thoughts Can Change DirectionFrancis Picabia



Francis Picabia: Our Heads Are Round so Our Thoughts Can Change DirectionFrancis Picabia

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Francis Picabia: Our Heads Are Round so Our Thoughts Can Change DirectionFrancis Picabia

By rejecting consistency, Picabia powerfully asserted the artist's freedom to change

Irreverent and audacious, restless and brilliant, Francis Picabia achieved fame as a leader of the Dada group only to break publicly with the movement in 1921. Moving between Paris, the French Riviera, Switzerland, and New York, he led a dashing life, painting, writing, yachting, gambling, racing fast cars, and organizing lavish parties. Like no other artist before him, Picabia created a body of work that defies consistency and categorization, from Impressionist landscapes to abstraction, from Dada to stylized nudes, and from performance and film to poetry and publishing. A primary constant in his career was his vigorous unpredictability.

Illustrated with nearly 500 reproductions, this sweeping survey of Picabia's eclectic career embraces the challenge of his work, asking how we can make sense of its wildly shifting mediums and styles. In her opening essay, curator Anne Umland writes that with Picabia, familiar oppositions "between high art and kitsch, progression and regression, modernism and its opposite, and success and failure are undone."

In 15 superb essays, additional authors―including distinguished professors George Baker, Briony Fer, and David Joselit and renowned Picabia scholars Carole Boulbès and Arnauld Pierre―delve into the radically various mediums, styles, and contexts of Picabia's work, discussing his Dada period, his abstractions, his mechanical paintings, his appropriations of source imagery, his multifaceted relationship with print (both in his paintings and as a publisher and contributor to vanguard journals), his forays into screenwriting and theater, and his complex politics. Marcel Duchamp, of course, but also Nietzsche and Gertrude Stein make repeat appearances along the way.

Turning to Picabia's contemporary legacy, Cathérine Hug maps the history of his critical reception and interviews contemporary curators and artists, including Peter Fischli, Albert Oehlen, and David Salle. A lively 30-page chronology illustrated with archival photographs and ephemera gives readers a year-by-year account of the artist's colorful life and of his interactions with fellow artists and critics, friends, and lovers.

Together these essays suggest that the unruly genius of Picabia offers us a powerfully relevant and provocative alternative to the familiar narrative of modernism.

Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction accompanies the major 2016 exhibition on the artist, jointly organized by The Museum of Modern Art, New York, and the Kunsthaus Zürich.

Francis Picabia was born in 1879 in Paris, the only child of a Cuban-born Spanish father and a French mother. His first success came as a painter in an Impressionist manner. He went on to become one of the principle figures of the Dada movement in New York and Paris. In 1925 Picabia moved to the south of France, where he lived and worked through World War II. Following the war, Picabia returned to Paris, where he died in 1953.

  • Sales Rank: #15154 in Books
  • Published on: 2016-07-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.20" h x 1.40" w x 9.90" l, .0 pounds
  • Binding: Hardcover
  • 368 pages

Review
...A sort of hero for postmodernism... (Deborah Solomon WNYC News)

...presents the full range of Picabia’s practice―as a painter, a poet, a letter writer, a party planner, and (not least) an insatiable gadabout―but more than that, it definitively establishes him as one of the key artists of the past 100 years, a figure whose influence, at once comic and manic and dark, continues to reverberate. (Andrew Russeth Art News)

He made important contributions to both Cubist painting and its nemesis, Dada, with its art-barbed hijinks, and refused to cultivate a personal style that deepened with time. Instead he toyed with kitsch and calendar art, and based paintings on found photographs. When he returned to abstraction at the end of his life, he tried several styles. But lately ― when multiple mediums and styles are increasingly the artistic norm ― Picabia’s stature has grown. His work seems more alive today than that of any artist of his cohort, even Duchamp. (Roberta Smith The New York Times)

An avant-gardist par excellence...chameleonic... (Andrea K. Scott The New Yorker)

...comprehensive and sumptuous... (Alfred Brendel The New York Review of Books)

Experimenting first with Impressionism, then Pointillism, and then Cubism and Dada, Francis Picabia (1879–1953) made himself impossible to categorize. (Art News)

Picabia's wit, use of language and found imagery, adn his style changes, make him a precursor not just of Pop Art but of Post-Modernist painting. (Roberta Smith The New York Times)

The idiosyncratic French artist was an outlier on the royal road of 20th century modernism, and an interesting one. (Time Magazine)

Francis Picabia: abrupt changes, wild jumps, adventurous curves… finally, an endeavor aimed at revealing the whole Picabia. (Sabine Altorfer Aargauerzeitung)

About the Author

Anne Umland is the Blanchette Hooker Rockefeller Curator of Painting and Sculpture at the Museum of Modern Art, New York.

Cathérine Hug is Curator, 20th Century Art at the Kunsthaus Zürich, Switzerland.

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3 of 3 people found the following review helpful.
A baffling and unclassifiable genius.
By Albert MacSwigart
This is the catalogue of the mammoth exhibit launched in Zurich (where I saw it while ago) and now at MOMA in New York. The exhibit is a real eye-opener--including aspects of all Picabia's work--beautiful, provocative, exquisitely crafted, vulgar, erudite, rambunctious, pornographic--in all the media he explored--painting, drawing, collage, sculpture, installation, costume & scene design, cinema, writing. The exhibit also includes dozens of items in private collection never or rarely before publicly displayed. No serious lover of modernist art should miss it. The book documents the show in exemplary fashion, worth every penny of the not unreasonable price. I can think of only one way in which it could have been better: the insertion of a CD containing ENTR'ACTE, Picabia's experimental film collaboration with Rene Claire, a surrealist masterpiece on the level with (and in some respects superior to) the Dali/Bunuel CHIEN ANDALOU. I saw it screened at the exhibit and the moving image together with Satie's music create a lot better effect than a selection of stills.

2 of 4 people found the following review helpful.
Five Stars
By Debbie Ann
Beautiful big heavy book with amazing pics and text. GREAT DADA book!

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Rabu, 13 Juli 2011

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Sweet Savage Blood, by Carolina Courtland

Dominique is a typical teen in a boring Texas town where the most exciting thing is the annual turnip green festival. When the charismatic Caden Hanover enrolls in her high school, her life takes a heart-pounding turn. From the moment she sees Caden, she is irresistibly drawn to him. She has no idea that not only is he a vampire, but that he knows she is the reincarnation of his human wife—the wife he hasn't seen in almost two hundred years. He is determined to reestablish their passionate love. He won't stop until he claims Dominique as his own—and eventually makes her his vampire bride. A teen vampire romance, Sweet Savage Blood, is the story of undying love sweeping across time from the 19th to the 21st century. Note: This is the complete book including all three of parts, Reunion, Revelations and Blood Ties.

  • Sales Rank: #6388386 in Books
  • Published on: 2012-03-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .83" w x 6.00" l, 1.09 pounds
  • Binding: Paperback
  • 368 pages

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Minggu, 10 Juli 2011

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The Great Wall: China Against the World, 1000 BC - AD 2000, by Julia Lovell

Legendarily 2,200 years old and 4,300 miles long, the Great Wall of China seems to make an overwhelmingly confident physical statement about the country it spans: about China’s age-old sense of itself being an advanced civilization anxious to draw a clear line between itself and the “barbarians” at its borders. But behind the wall’s intimidating exterior—and the myths that have built up around it—is a complex history that has both defined and undermined China. Author Julia Lovell has written a new and important history of the Great Wall that guides the reader through the conquests and cataclysms of the Chinese empire, from the second millennium BC to the present day.
In recent years, the Wall has become an ever more potent symbol of Chinese nationalism, of a determination to resist foreign domination. But how successful was the Wall in reality, and what was its real purpose? Was it a precursor, albeit on a huge scale, of the Berlin Wall—a barrier designed to keep its population in as much as undesirables out? Lovell looks behind the modern mythology of the Great Wall, uncovering a three-thousand-year history far more fragmented and less illustrious than its crowds of visitors imagine today. The story of the Wall winds through that of the Chinese state and the frontier policy that defined it, through the lives of the millions of individuals who supported, criticized, built, and attacked it.

  • Sales Rank: #834687 in Books
  • Published on: 2007-02-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.12" w x 5.95" l, 1.35 pounds
  • Binding: Paperback
  • 432 pages

From Publishers Weekly
There is no Great Wall of China, argues Lovell, who teaches Chinese history at Cambridge University. Instead, there are many Great Walls—physical, mental, cultural, military and economic—separating China from the outside world. The 4,300-mile-long wall is far more complex than any of the thousands of tourists taking a photo along its famous battlements realizes. Indeed, to the Chinese themselves, their wall has variously signified repression, freedom, security, vulnerability, cultural superiority, economic backwardness, imperial greatness and national humiliation. Still, myths about it abound. Far from it being unbreachable, Chinese emperors relied on the wall only as a last resort to fend off their enemies. (The Ming dynasty, for instance, found it useless against the victorious Manchus, who merely bribed the gatekeepers to let them in.) "As a strategy that has survived for more than two millennia," Lovell writes, "China's frontier wall is a monumental metaphor for reading China and its history, for defining a culture and a worldview...." Lovell tells the gripping, colorful story of the wall up to the present day, including a perceptive discussion of the "Great Firewall"—the Internet, which has replaced nomadic raiders as the most threatening of China's attackers. And no, you cannot see it from the Moon. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Young British historian Lovell narrates the history of China's preeminent national symbol, its Great Wall. Dubious about its defensive efficacy, she points out the fortification's repeated failure to save the dynasty that built it. Apart from its physicality, Lovell is also intrigued by the wall as a metaphor for historical Chinese attitudes toward the exterior world. And driving her wonderful chronicle of the wall is her will to dispel visitors' impressions, shared alike by Richard Nixon and backpacking tourists, that the Great Wall is a continuous construction of great antiquity. Informing readers that though the earliest long walls do date to the Qin dynasty (about 220 BCE), the crenellated, watchtower-crowned marvel of today was built by Ming emperors in the 1600s. Along the way, Lovell instills an appreciation for how the Chinese self-conception of civilized superiority vis-a-vis raiding barbarians of the steppe induced periods of wall-building. Amounting to an overview of imperial and postimperial Chinese history, Lovell's account of the Great Wall is a supremely inviting entree to the country. Gilbert Taylor
Copyright © American Library Association. All rights reserved

About the Author
Julia Lovell is an author, translator, and academic. She is the author of the widely acclaimed The Great Wall: China Against the World 1000 BC AD 2000, which was published in eighteen countries. She has translated many key Chinese works into English, including Lust, Caution by Eileen Chang, The Complete Fiction of Lu Xun, and Serve the People by Yan Lianke. She is a lecturer in modern Chinese history and literature at the University of London and writes for the Guardian, The Times, the Economist, and the Times Literary Supplement. She spends a large part of the year in China with her family.

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17 of 18 people found the following review helpful.
One Wall Among Many
By R. E. Rieder
This book could serve an engaging text for a course in Chinese history. It describes the evolution of that great country tied to its most recognized symbol both as a construction and a thought. Lovell, a teacher of Chinese history and literature at Cambridge handles anecdotes as well as Tom Wolfe. Her prose is so engaging it cries out for colored maps showing different dynasties walls in different colors along with pictures of some of the individuals she describes. The great wall, which is a series of walls spread over a long distance, was intended to wall out the barbarians. Like the Maginot line it was not successful. The Great Wall did not keep Genghis Khan and his successors out. But it had an effect upon the Chinese psyche over much of that country's history. It is a metaphor for China's historical, social and economic isolation.

That the Chinese thought themselves protected, but were walled in, is evident from the British trade mission launched in 1792. Evidently the British were running a trade deficit owing to enormous purchases of tea. George III sent diplomats with extensive gifts on a year long voyage to present their credentials to the Emperor. He received them with a great deal of reserve. Two weeks later the Emperor responded that his country had not "the slightest need of your country's manufacturers." What made the response even more insulting was that it was composed six weeks before the diplomats were shown in. Seventy years later, during the Opium War, the presents were discovered untouched in a stable.

Lovell challenges the perceived singularity of Chinese culture by describing the various walls built from the Warring States period through the Ming dynasty, a period of over 1500 years and the cultural differences during those times. She also asserts that while the wall is long, it is mostly made of mud and not very great. Genghis and his hoard, and later the Manchu's, passed through it with relative ease, testifying to the statement attributed to Genghis that: "the strength of walls depends on the courage of those who guard them." Hundreds of miles long the wall is now mostly rubble, except, of course, for the tourist sections, such as that President Nixon visited. This is in contrast to the various Chinese city walls dating as early as the third millennium B.C. which are now being excavated.

While the long wall is a symbol of the unity of China over millennia, that unity is mostly fiction. So is the assertion that it can be seen from the moon. The walls were built to bar the nomads, the barbarians and the hoards from the North. The Chinese were assumed to be on the defensive. However, while the walls existed, China colonized much of the area south of the Yangtze and the Tibetan plateau.

As Lovell moves from the Shang to the present, she brings to life the builders and destroyers (including nature) of the wall and the economic causes of the ebb and flow of expansion and defense. She writes that her book "has tried to provide a history of the Chinese world view to reveal its successes and failures, to explain an attitude to the outside world that can seem (and, indeed, often is) puzzling, contradictory and strident, and that shows no sign of evanescing in the face of globalization, the Internet and America's world crusade for freedom and democracy." In many ways she has succeeded. This is a captivating book, well written with a mixture of scholarship and accomplished story telling. However, one is left, especially after reading the description of modern life in China in Oracle Bones, with the impression that the world view of the Chinese is changing much faster than Lovell realizes. And that the most recent wall that China has constructed, the one to bar access to portions of the internet, will suffer the same fate as the Great Wall.

45 of 56 people found the following review helpful.
The English view of China
By usabear
An extraordinarily pedestrian and highly derivative (she even uses a secondary source for a biblical quote) walk through the history of China through Lovell's self-imagined vehicle of "The Great Wall". Made even more so as Lovell repeatedly reminds us that the construct "Great Wall" is mainly a Western view. Lovell appears to be curiously ignorant of the philosophical underpinnings of Chinese culture and society, and as a result provides us with an extraordinarily ethnocentric and biased view of Chinese history. She loses no opportunity to belittle or castigate virtually every participant in Chinese history.

While Lovell appears to unflinchingly accept both pejorative views of China's relationship with the world and fanciful descriptions of Chinese customs and culture as described by disenchanted English emissaries, she fails to take into account recent accounts of China's historical trade and interactive relationship with Asia and the rest of the world. Her analysis (using the English 1793 abortive mission as the signature event) leads her to argue that, regardless of whether the Chinese were constructing or not constructing walls; whether they were going on voyages of discovery or trade or restricting travel; whether they were allowing outsiders in or keeping them out; whatever they were doing was proof of her thesis that it was China Against the World. Of the 1793 mission, she comments how the British had to "suffer through hours of Chinese Theatre, being laughed at during banquets for their ineptitude with chopsticks", how their "impressive list of presents submitted to the emperor was rendered into gibberish", and finally of the emperors gifts to the British: "a few auspiciously shaped lumps of jade, boxes of china and lengths of cloth, some of which appeared to be recycled items of tribute from Korean, Muslim and Burmese vassals." Both their, and her, ignorance of Chinese customs and culture could not be more clearly defined. It is unclear how the British emissaries knew their list was being mis-translated, as they could neither speak nor write Chinese. For Lovell to parrot (I'm giving her the benefit of the doubt here, even though she fails to give citations for this view) "auspiciously shaped lumps of jade" without comment is egregious, to say the least. Anyone with even the slightest familiarity with historical China is well aware of the singular importance attached to jade. Of course, at no point are we given what the Chinese view of the mission must have been.

A telling instance of her bias is when she tries to argue that the English instigated Opium Wars were primarily a result of the English desiring free trade. Is it possible that she is unaware of England's Colonial history? Having, or in the process of, colonizing the Indian subcontinent and Burma (for the purpose of opium production and trade), and trying, but failing in their attempts to colonize Tibet and Thailand, England desired to colonize China. Instead they had to settle on providing a safe haven for their drug trade, along with the temporary theft of Hong Kong - the recent return of which to China she particularly laments, equating the return of Hong Kong to Chinese control after 100 years of British Colonialist rule with a symbolic retreat of China to her obtusely-constructed "Great Wall mentality". She even argues that the Crusades provided legitimization for Western (English) utilization of force of arms to gain conquest and concessions from China (and elsewhere). As the Crusades were defeats for the Europeans, this is much like arguing that Vietnam provided the legitimization for the invasion of Iraq.

While she castigates Voltaire's positive assessment of the Great Wall because he never visited the Great Wall, she also castigates those who have visited it and come away with a similar positive assessment, insisting that they could not have seen more than the small portion near Beijing. Woe unto those who do not share her viewpoint - the Jesuits, for example, who she labels "The Jesuit Cult of the Great Wall." (She appears to have a special vendetta against Catholics, including a completely gratuitous and preposterous account of their role in the colonization of the Americas.) On the other hand, she regards those who minimize the status of walls in a favorable light. For example, she appears to regard Daniel Defoe quite highly, despite the fact that he never visited China. Perhaps it's because she subscribes to his fictional view.

A few quotes will serve as defining her attempts to contrast China with the West: "in the contemporary West, where occupation and invasion are, at present, happily the stuff of millennia past, wall-building seems a quaintly old-fashioned idea...", "With the recent notable exception of the invasion of Iraq, for Western powers, committing ground troops in the long term to zones of conflict is a potentially vote-losing last resort.", "Walls and barriers are monuments of a lost, pre-1989 world" If we look at just the period following WWII, we have Korea, Vietnam, Panama, the Falklands, the former Yugoslavia, Iraq, Afghanistan, Pakistan, Northern Ireland, etc., etc. As for Western walls and barriers post-1989; U.S. wall against Mexico, Israel's wall against the Palestinians, the English wall in Northern Ireland and the barriers separating North and South Korea to name a few. As for other barriers, one can easily find a myriad of immigration/emigration restrictions in the West.

A few additional points: Only a colonialist could come up with the descriptive phase "Hong-Kongese" to describe Chinese residents of Hong Kong, or consider the Indian nationalists who opposed English colonialism "radicals".

Wherever does Lovell get her date of 1025 for the beginning of the Zhou Dynasty, as she provides no reference for her chronology of dynasties? I've seen 1122 and 11th C as traditional dates; 1027 as a date accepted until recents years by modern scholars; and 1050, 1046, 1045 and 1040 as the most current years (a rather hot - and sometimes vindictive - debate is going on about which of these current dates is correct), but never 1025.

Lovell says Sun Yixian (Sun Yat-sen, as she calls him) resigned his position as president of the new Republic of China "after barely one year in office." Actually he only served from Jan. 1 to March 12, 1912. Lovell argues that Sun Yixian was no classical scholar (as if she could possibly know) since he adopted the wall as a symbol of Chinese construction and endurance. As his constructs were clearly for public consumption, intended to provide a rallying point for the Chinese, what would she have had him do?

Lovell on Martino Martini, whose Atlas Sinensis she proclaims as being, when they were published, the "most complete and authoritative maps of China to date": his "wild generalizations about the state of the entire wall [were] based , presumably, only on observations of its condition near Beijing." Setting aside her lack of substantive proof of the allegation and that the condition of the wall more than 350 years ago just might have been somewhat different than it is today, would not his maps have the same drawback?

Lovell goes on about how the Qianlong emperor's disdain of the mechanical trinkets brought to him by the English must have been as a result of prior dealings with Europeans having supplied China with earlier mechanical devices. Not possible that the Chinese, in fact, were well aware of such devices due to their own discoveries? Lovell might be surprised to know that the Chinese discovered/invented (just to name a few): quantitative cartography, Mercator-map projection, the first relief maps, Equatorial astronomical instruments, essentials of the steam engine, matches, the mechanical clock, block and mechanical type printing, the decimal system, "zero", the first compasses, dial and pointer devices, magnetic declination of the Earth's magnetic field and the seismograph. All of these hundreds or thousands of years before they were adopted or recognized in the West.

For a parallel, and earlier, book on the Great Wall which Lovell seems to eerily mimic, see Arthur Waldron's The Great Wall of China: From History to Myth.

In sum, I am aghast that Lovell would be actually teaching Chinese history and literature at the University of Cambridge.

10 of 11 people found the following review helpful.
well-defined perspective on Chinese history
By Jonathan Betz-Zall
A young English scholar interprets much of Chinese history as a struggle between internationalism and isolationism, reflected in the repeated efforts to wall out invaders from the north. Frequently contrasting official rhetoric about the efficacy of the glorious walls with the reality of their constant failures and treasury-draining costs and occasional perspectives from common people, she surprises the reader with accounts of how European and Japanese incursions strengthened the idea of the Great Wall in the Chinese consciousness. By abbreviating specific incidents and omitting character portraits, Lovell successfully compresses almost 4000 years of history into a narrative with very few boring passages. But with so much time to cover, almost no room is left for comparisons with other civilizations. She does mention Israel's fence a couple of times; another interesting comparison would be with the US borders.

Highly recommended as a source of insight into the folly of empire and insularity.

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Rabu, 06 Juli 2011

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Unity AI Game Programming - Second Edition, by Ray Barrera, Aung Sithu Kyaw, Clifford Peters, Thet Naing Swe

Leverage the power of Unity 5 to create fun and unbelievable AI entities in your games!

About This Book
  • Compose richer games by learning the essential concepts in artificial intelligence with exciting examples
  • Explore the brand new Unity 5 features that make implementing artificial intelligence in your game easier than ever
  • Using this practical guide become a competent Unity 3D developer by learning AI techniques, methods and the applicability of AI
Who This Book Is For

This book is intended for Unity developers with a basic understanding of C# and the Unity editor. Whether you’re looking to build your first game or are looking to expand your knowledge as a game programmer, you will find plenty of exciting information and examples of game AI in terms of concepts and implementation. It does not require any prior technical knowledge of how game AI works.

What You Will Learn
  • Understand the basic terminology and concepts in game AI
  • Implement a basic finite state machine using state machine behaviors in Unity 5
  • Create sensory systems for your AI with the most commonly used techniques
  • Implement an industry-standard path-finding system and a navigation mesh with the Unity 5 NavMesh feature
  • Build believable and highly-efficient artificial flocks and crowds
  • Create a basic behavior tree to drive a character’s actions
  • Make your characters more engaging by implementing fuzzy logic concepts in your AI’s decision-making
  • Tie all the concepts together with examples and guides
In Detail

Unity 5 provides game and app developers with a variety of tools to implement artificial intelligence. Leveraging these tools via Unity’s API or built-in features allows limitless possibilities when it comes to creating your game’s worlds and characters. Whether you are developing traditional, serious, educational, or any other kind of game, understanding how to apply artificial intelligence can take the fun-factor to the next level!

This book helps you break down artificial intelligence into simple concepts to give the reader a fundamental understanding of the topic to build upon. Using a variety of examples, the book then takes those concepts and walks you through actual implementations designed to highlight key concepts, and features related to game AI in Unity 5. Along the way, several tips and tricks are included to make the development of your own AI easier and more efficient.

Starting from covering the basic essential concepts to form a base for the later chapters in the book, you will learn to distinguish the state machine pattern along with implementing your own. This will be followed by learning how to implement a basic sensory system for your AI agent and coupling it with a finite state machine (FSM). Next you will be taught how to use Unity’s built-in NavMesh feature and implement your own A* pathfinding system. Then you will learn how to implement simple flocks and crowd’s dynamics, the key AI concepts. Then moving on you will learn how a behavior tree works and its implementation. Next you will learn adding layer of realism by combining fuzzy logic concepts with state machines. Lastly, you learn applying all the concepts in the book by combining them in a simple tank game.

Style and approach

An easy-to-follow guide that is full of example implementations of the concepts and is accompanied by easy-to-understand demonstrations and explanations of the code and concepts.

  • Sales Rank: #630105 in eBooks
  • Published on: 2015-09-24
  • Released on: 2015-09-24
  • Format: Kindle eBook

About the Author

Ray Barrera

Ray Barrera was a tinker in his childhood. From making mods and custom maps in games such as StarCraft and Unreal Tournament to developing open source role-playing games using RPG Maker, he always had a passion for game development. The passion stayed with him, and after many years as a hobbyist, he decided to take the plunge into professional development. In the initial stages of his career, he was fortunate enough to work on educational and research projects for major contractors in the defense industry, allowing him to blend his love for games with his innate desire to teach and create interactive experiences. Since then, he has straddled the line between entertainment and education. Unity was the logical weapon of choice for him as it gave him the flexibility to create games and applications and iterate quickly. From being an original member of the Los Angeles Unity meetup to helping coordinate Unity workshops at local colleges and high schools, he has been very active in the Unity community. You can follow him on Twitter at @ray_barrera.



Aung Sithu Kyaw

Aung Sithu Kyaw has been in the technical industry for over a decade. He is passionate about graphics programming, creating video games, writing, and sharing knowledge with others. He holds an MSc in digital media technology from the Nanyang Technological University (NTU), Singapore. Over the last few years, he has worked in various positions, including research programmer and senior game programmer. Lastly, he worked as a research associate, which involved implementing a sensor-based real-time movie system using Unreal Development Kit. In 2011, he founded a tech start-up, which focuses on interactive media productions and backend server-side technologies. He is currently based in Myanmar and working on his latest company's product, a gamified social opinion network for Myanmar. He can be followed on Twitter at @aungsithu and LinkedIn at http://linkedin.com/in/aungsithu.



Clifford Peters

Clifford Peters is a programmer and a computer scientist. He was the technical reviewer for Unity Game Development Essentials, Unity 3D Game Development by Example Beginner's Guide, Unity 3 Game Development HOTSHOT, Unity 3.x Game Development by Example Beginner's Guide, Unity iOS Game Development Beginner's Guide, and Unity iOS Essentials, all by Packt Publishing.



Thet Naing Swe

Thet Naing Swe is the founder and CTO of Joy Dash Pte Ltd, based in Singapore. He graduated from the University of Central Lancashire with a major in game design and development and started his career as a game programmer at one of the UK-based Nintendo DS game development studios. In 2010, he relocated to Singapore and worked as a graphics programmer at the Nanyang Technological University (NTU) on a cinematic research project. At Joy Dash, he's responsible for interactive digital media consulting projects, especially in education, casual games, and augmented reality projects using Unity 3D as the main development tool. He can be reached via thetnswe@gmail.com.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Serious Game AI Programmers ONLY!
By Bill Jones
I'm highly cynical on Game AI and programming it. There are so many different areas that should be covered in any book that touts AI programming, simply discussing a finite state machine isn't enough. My de facto book is "Programming Game AI by Example - Buckland" which covers all of the subject material discussed in this book. Using that well known book as my base, this book was amazing as well. Which is why I rated it at 5 stars, the pathing, trees, flocks, and fuzzy logic were all covered elegantly and all of them were easily read and discussed in detail. The final chapter (8) brings it all together with some working examples of how everything ties together, this is something highly required with AI books. If you just have the theory and the how, it's something added like the icing on the cake when you get to see the fruit of your labor in action.

I love this book and highly recommend it!

0 of 0 people found the following review helpful.
Great for Intermediate Devs
By Adam B
I'm one of the technical reviewers of this book. This book should prove useful for any intermediate programmers looking to get into developing Unity projects with solid, functional AI implementations. It starts off at a reasonable pace, introducing basic concepts and giving barebones implementations of them, but it also doesn't shy away from discussing the theory behind them.

Each chapter adds a new layer of complexity to the AI functionality the reader is shown until the finale when it walks you through developing a working AI that could be used in a simple game. The work isn't done for you, but all of the tools you'll need to get to work on your own AI in the Unity engine are introduced and explained in an easy to understand manner.

If you're interested in this book, I'd recommend it for anyone already possessing some skill with C# or similar C-based languages. Beginners will likely become overwhelmed by the coding examples within the first one or two chapters and won't see the full benefit of the content as provided.

0 of 0 people found the following review helpful.
Great Start
By Jwaller05
From what I've read so far this is a great book for learning about AI Programming. Not only does it go into great detail, I explains the purpose behind what is being done. I don't have much experience in programming, so from a beginner's perspective I was able to understand most of what was discussed. I look forward to learning more.

See all 6 customer reviews...

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